Le Chat Noir Black Cat Ceramic Cylinder and 50 similar items
Le Chat Noir Black Cat Ceramic Cylinder Candle Holder Tealight Artist Steinlen
£20.53 GBP
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PayPal, MasterCard, Visa, Discover, and American Express accepted
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View full item details »
Shipping options
Return policy
Refunds available: See booth/item description for details
Details
Purchase protection
Payment options
PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted
Item traits
Category: | |
---|---|
Quantity Available: |
Only one in stock, order soon |
Condition: |
New |
Color: |
Black |
Country/Region of Manufacture: |
Netherlands |
Handmade: |
Yes |
Animal Class: |
Cat |
Material: |
Ceramic |
Type: |
Tealight Candle Holder |
Listing details
Seller policies: | |
---|---|
Shipping discount: |
Shipping weights of all items added together for savings. |
Posted for sale: |
More than a week ago |
Item number: |
1226540699 |
Item description
LE CHAT NOIR BLACK CAT CERAMIC CYLINDER MUSEUM CANDLE HOLDER TEALIGHT ARTIST STEINLEN
Offered here is a museum collectible cylinder tealight candle holder based on an adaptation of the famous poster for Le Chat Noir. It is made from quality ceramic and is part of the Parastone Museum Collection of noteworthy museum statues, paintings and cultural artifacts.
Includes color description card.
Brand new in gift box, ready for gift giving!
Measures approximately 5.5" tall.
Has depression in top large enough to accommodate a tealight (one included).
Made In The Netherlands.
The background history of original poster and artist is as follows:
Poster for La Tournee du Chat Noir (Black Cat, 1896)
In 1881, Rudolphe Salis opened the Le Chat Noir Cabaret on the Boulevard Rochechouart (which later moved to the Rue de Laval). It soon became a legendary safe haven for the stage arts and Steinlen resided at its heart. He designed scenery, worked on the popular shadow plays, and in particular, he designed the famous poster which adorned Paris' walls. The black and red cat (the colors of anarchy) became Montmartre's symbol, the enclave and gathering site of artists. The text: Montjoie Montmartre (Montmartre my joy) halos the beast's mystical head. The press freedoms act and new printing methods gave Salis the opportunity to also publish a magazine. Le Chat Noir became a great success, even outside France, and this radiated onto Steinlen as its principal illustrator. Cats always played a major role in Steinlen's work. He loved the stray cats on Montmartre's roofs as did his colleagues, and adopted many of them to his wife's dismay.
Theophile-Alexandre Steinlen (1859-1923)
Steinlen stopped taking philosophy at a university in his home town of Lausanne prematurely to start working in Mulhouse as a textile designer. The socially committed, kindhearted artist left for Paris in 1881 with his wife, where they moved to the hill of Montmarte, a neighborhood which was about to develop into the epicenter of the French avant-garde. He befriended the painter Adolphe Willette who introduced him to the artistic circles around the Le Chat Noir Cabaret. In the early 1890's, Steinlen still painted traditional subjects such as landscapes, flower still lifes and nudes, and these were exhibited for the first time at the Salon des Independents. Later work increasingly displayed social-realist tendencies. Steinlen became a sought after illustrator for legendary magazines such as Le Rire and Gil Bas. Some of his illustrations appeared pseudonymously in order to prevent political repercussions.
We do combine shipping. Free delivery confirmation and tracking are provided for all shipments within the United States as well as International shipments using Priority Mail International. Customs charges or duty taxes are the responsibility of the International buyer.
Please feel free to contact us with any questions or concerns you may have. Thank you!
Le Chat Noir Black Cat Ceramic Cylinder Candle Holder Tealight Artist Steinlen
LE CHAT NOIR BLACK CAT CERAMIC CYLINDER MUSEUM CANDLE HOLDER TEALIGHT ARTIST STEINLEN
Offered here is a museum collectible cylinder tealight candle holder based on an adaptation of the famous poster for Le Chat Noir. It is made from quality ceramic and is part of the Parastone Museum Collection of noteworthy museum statues, paintings and cultural artifacts.
Includes color description card.
Brand new in gift box, ready for gift giving!
Measures approximately 5.5" tall.
Has depression in top large enough to accommodate a tealight (one included).
Made In The Netherlands.
The background history of original poster and artist is as follows:
Poster for La Tournee du Chat Noir (Black Cat, 1896)
In 1881, Rudolphe Salis opened the Le Chat Noir Cabaret on the Boulevard Rochechouart (which later moved to the Rue de Laval). It soon became a legendary safe haven for the stage arts and Steinlen resided at its heart. He designed scenery, worked on the popular shadow plays, and in particular, he designed the famous poster which adorned Paris' walls. The black and red cat (the colors of anarchy) became Montmartre's symbol, the enclave and gathering site of artists. The text: Montjoie Montmartre (Montmartre my joy) halos the beast's mystical head. The press freedoms act and new printing methods gave Salis the opportunity to also publish a magazine. Le Chat Noir became a great success, even outside France, and this radiated onto Steinlen as its principal illustrator. Cats always played a major role in Steinlen's work. He loved the stray cats on Montmartre's roofs as did his colleagues, and adopted many of them to his wife's dismay.
Theophile-Alexandre Steinlen (1859-1923)
Steinlen stopped taking philosophy at a university in his home town of Lausanne prematurely to start working in Mulhouse as a textile designer. The socially committed, kindhearted artist left for Paris in 1881 with his wife, where they moved to the hill of Montmarte, a neighborhood which was about to develop into the epicenter of the French avant-garde. He befriended the painter Adolphe Willette who introduced him to the artistic circles around the Le Chat Noir Cabaret. In the early 1890's, Steinlen still painted traditional subjects such as landscapes, flower still lifes and nudes, and these were exhibited for the first time at the Salon des Independents. Later work increasingly displayed social-realist tendencies. Steinlen became a sought after illustrator for legendary magazines such as Le Rire and Gil Bas. Some of his illustrations appeared pseudonymously in order to prevent political repercussions.
We do combine shipping. Free delivery confirmation and tracking are provided for all shipments within the United States as well as International shipments using Priority Mail International. Customs charges or duty taxes are the responsibility of the International buyer.
Please feel free to contact us with any questions or concerns you may have. Thank you!
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