Seiji Ozawa Hall at Tanglewood: A 10th and 50 similar items
Seiji Ozawa Hall at Tanglewood: A 10th Anniversary Celebration [Audio CD] Seiji
£11.80 GBP
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View full item details »
Shipping options
Seller handling time is 2 business days Details
No shipping price specified to GB
Ships from
United States

Return policy
Replacement product available for DOAs
Purchase protection
Payment options
PayPal accepted
PayPal Credit accepted
Venmo accepted
PayPal, MasterCard, Visa, Discover, and American Express accepted
Maestro accepted
Amazon Pay accepted
Nuvei accepted
Item traits
Category: | |
---|---|
Quantity Available: |
Only one in stock, order soon |
Condition: |
New |
UPC: |
828020000134 |
ASIN: |
B003H7VTPI |
author: |
Seiji Ozawa Hall |
Number Of Discs: |
1 |
EAN: |
0828020000134 |
binding: |
audioCD |
format: |
audioCD |
language: |
english |
Externally Assigned Product Identifier: |
0828020000134 |
Bullet Point: |
Boston Symphony Orchestra |
Publication Date: |
2004T |
Subject Keyword: |
Boston Symphony Orchestra |
Supplier Declared Dg Hz Regulation: |
not_applicable |
Item Name: |
Seiji Ozawa Hall at Tanglewood: A 10th Anniversary Celebration |
Item Type Keyword: |
audio-recordings |
Product Site Launch Date: |
2010-04-14T18:29:39-00:00 |
Product Description: |
Listing details
Seller policies: | |
---|---|
Shipping discount: |
Items after first shipped at flat $3.99 |
Posted for sale: |
More than a week ago |
Item number: |
1196640332 |
Item description
Additional Details
------------------------------
Product description: Augusta Read Thomas's SPIRIT MUSINGS was performed by the Fellows of the Tanglewood Music Center as part of Tanglewood's 2003 season, and part of it is featured on the new recording, Seiji Ozawa Hall at Tanglewood ? A 10th Anniversary Celebration. Commissioned by Thomas van Straaten, this work for violin and chamber orchestra has a duration of eleven minutes. Movements II and III are represented here. Of Spirit Musings, Seth Brodsky writes in the All Music Guide, "its opening violin line, spidery and liquid, gradually enlists and entangles the entire ensemble in a volatile venture of expansion and contraction, elastic and intensely lyrical. The work's sound is also characteristic of Thomas' music: a swirl of thirds, sixths, and tritones envelopes the ensemble in the most radiant tintinnabulation, betraying Thomas' devotion to French music (Debussy, Messiaen, Boulez), but also to the great contrapuntalists (Bach and Byrd). But in their "finite infinity," the concise, intimate breath of her gestures confess great sympathy with Mahler and her favorite poet, Emily Dickinson." (Tanglewood, TWD-CD1)
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