Santana
Self-Titled 1971 Vinyl LP
Columbia PC 30595 - VG+ First Edition
with "Everybody's Everything" and "No One to Depend On"


Condition: VG+ Vinyl and VG+ Cover. Vinyl was play-tested on both sides and plays very well throughout with good fidelity. Gatefold cover is in great shape with good color and no splits or writing. Includes original Columbia inner sleeve.

Santana is the band's second self-titled album, it is often referred to as III or Santana III to distinguish it from the band's 1969 debut album. It was the third and last album by the Woodstock-era lineup and was also considered by many to be the band's peak commercially and musically, as subsequent releases aimed towards more experimental jazz fusion and Latin music.

The album featured two singles that charted in the United States. "Everybody's Everything" peaked at No. 12 in October 1971, while "No One to Depend On", an uncredited adaptation of Willie Bobo's boogaloo standard "Spanish Grease", received significant airplay on FM radio. The album also marked the addition of 17-year-old guitarist Neal Schon (who performed notable solos on both singles) to the group.

Track listing

Side one
1. "Batuka" (instrumental) Jose Areas, David Brown, Michael Carabello, Gregg Rolie, Michael Shrieve 3:35
2. "No One to Depend On" Carabello, Rolie, Coke Escovedo 5:31
3. "Taboo" Areas, Rolie 5:34
4. "Toussaint L'Overture" Areas, D. Brown, Carabello, Rolie, Shrieve, Carlos Santana 5:56

Side two
5. "Everybody's Everything" Santana, Milton Brown, Tyrone Moss[8] 3:31
6. "Guajira" Areas, D. Brown, Rico Reyes 5:43
7. "Jungle Strut" (instrumental) Gene Ammons 5:20
8. "Everything's Coming Our Way" Carlos Santana 3:15
9. "Para los Rumberos" Tito Puente 2:47

Personnel
Gregg Rolie – lead vocals, keyboards, piano, producer
Carlos Santana – guitar, vocals, lead vocals on "Everything's Coming Our Way," producer
Neal Schon – guitar, producer
David Brown – bass, producer, engineer
Michael Shrieve – drums, percussion, producer
Jose "Chepito" Areas – percussion, conga, timbales, drums, producer
Mike Carabello – percussion, conga, tambourine, vocals, producer
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Shipping: Calculated domestic shipping via Media Mail or Priority Mail. Will ship internationally at FLAT RATES.  Records mailed in a proper cardboard LP mailer. All records cleaned prior to shipment.

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Payment: Paypal is preferred method of payment.  

Return Policy: I do accept returns for up to 30 days. Please let me know if you have questions about this item or any others I have for sale before you bid or purchase.  If you are unhappy with your purchase, please contact me immediately and I will do whatever I can to resolve. This may be a replacement, a credit, or a full or partial refund depending on the circumstances.

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I use the Goldmine Grading System, and play-test all records. I note any differences between vinyl and cover, and make note of any inserts, special sleeves, or potential defects.


MINT (M) - Absolutely perfect in every way. Most often this is a still sealed record, records that have been opened are rarely if ever marked as Mint.

NEAR MINT (NM) - A good description is that it looks like it just came from a retail store and it was opened for the first time. In other words, it?s nearly perfect, with no visible defects. 

VERY GOOD PLUS (VG+) - Except for a couple minor things, this could be Near Mint. Most collectors will be happy with a VG+ record, especially if on the high end (VG++). VG+ records may show slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Covers should have only minor wear. 

VERY GOOD (VG) - VG records are among the biggest bargains, and for many, will be worth the money. They can lack the original gloss, may have surface noise, and some scratches may be audible, especially in soft passages. But the noise will not overpower the music. VG covers will have signs of handling, and may have minor splits. 

GOOD PLUS (G+) - Good+ does not mean bad! The record still plays through without skipping, but it has significant surface noise and groove wear. Cover may have significant ring wear, noticeable writing, or obvious damage.

GOOD (G) - Record may have some skipping, but is otherwise listenable. I generally avoid selling Good (G) rated records unless they are highly collectible or desirable, in order to enjoy until something better comes along. Cover has major wear or seam splits that need repair, or heavy writing like radio station call letters to prevent theft.

Feel free to contact me with any specific questions.